Theįollowing picture shows the prototype and it's affinity to theįor an ultrawide angle lens covering fullformat image circle? We compared the new Carl Zeiss Distagon T* 15 mm f/2.8 It may not fit into every M-adapter but the Novoflex M-to-NEX adapter as well as SLR Magic's M-to-NEX adapter (including a macro function) had no problem to accept that sample. But using an M-mount to E-mount/X-mount/m43-mount adapter, it canīe used on most APS-C and microFourThirs mirrorless cameras like Sony NEX, Fuji X, Olympus PEN, OM-D and Panasonic Lumix G. Manucatured with an M-mount, will not fit on a Leica M or a Ricoh GXR Due to that large rear element, the lens - although Possible due to an extremely large rear lens element with a diameter ofĪbout 36mm. Requires a F-stop of about 0.9 at open aperture which makes it theįastest 35mm lens currently available for APS-C sized sensors. Due to vignettingĪnd other properties of the lens design, a T-stop of 0.95 typically Ratio of focal length and how wide the lens can open. Lenses at the same T-stop whereas F-stops only describe the calculated Make sure that the light transmission keeps continous when changing Means T0.95? The aperture is calibrated in T-stops as film makers must Review of the 35mm T1.4 and the 23mm T1.7 here as well. T1.4 lens to be availably for a very reasonable price. Produced by Schott, Germany), they decided to build also a bugdet 35mm Andrew explained, that beside the 35mm T0.95 using a complex 12Įlement design with extraordinary quality lens elements (some of them are Lenses continue the tradition of a stepless aperture ring calibrated in As SLR Magic is adressing filmmakers as well, these Their other new creations, the CINE 35mm T1.4 and the HyperPrime CINEĢ3mm T1.7. ![]() Me the chance to test-drive it a little bit on a Sony NEX-7 beside Andrew Chan, the product manager was so kind to give "Photokina 2012" exhibition in Cologne, Germany. With a similar design and now they presented their first two prototypes on the This small company located in Hong Kong decided to create another lens The launch of their spectacular HyperPrime CINE 50mm T0.95 (see my review here), Will see and read my pure personal impressions here. I am just a fan of fast & bright prime lenses and you It isīefore we go into detail, let me state that I am notĪffiliated with SLR Magic. Sized sensor? If you say 'yes' and 'yes', then SLR Magic may have a lens making you even moreĪddicted and enthusiastic with their upcoming HyperPrime CINE 35mm T0.95. You prefer using a mirrorless camera with an APS-C or Micro FourThirds Portraits at the classical viewing angle of a 50mm full frame equivalent but Love to shoot at available light with a wide open aperture, razor sharpĭetails and smooth & creamy bokeh? You like shooting "half" ![]() UPDATE: Meanwhile I received an "almost" production version (optically final, mechanically nearly final) with a significantly better lens coating.
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