![]() Backline Technicians with an orchestra may be required to set up the stage to the orchestra's lay out, including chairs, music stands, sheet music, risers and rostra percussion and keyboards. The responsibilities of a Backline Technician may include unloading and setting up the instruments and equipment. Others Technicians specialise in the sound itself, or may be more generalist and have a range of responsibilities. They will tune the drums and sometimes sit next to the drum riser for the performance, making any necessary adjustments. Some Backline Technicians specialise in instruments generally, or specific types of instruments.įor example a sound technician specialising in drums will build the drum kit, soundcheck it with the sound team, make sure the drummer is happy with the setup and be responsible for looking after the kit while on tour. For a larger scale performance there may be a number of Backline Technicians with different specialist responsibilities. For a small scale performance there may be one Backline Technician who is expected to deal with everything. Depending on the musicians and the type of event the Technician is working on they may be responsible for a range of road crew tasks or they may specialise in a particular area, such as percussion or strings. They will need to be comfortable with different types of equipment and different setups. Each artist, orchestra or band is different and will have different needs, so the work can be varied. If you or someone you know has a mental illness, is struggling emotionally, or has concerns about their mental health, there are ways to get help.Backline Technician What do Backline Technicians do?Ī Backline Technician provides technical support for live performances. We look forward to welcoming the Neal Casal Fellow and integrating them into the Backline mission.”Īpply for The Neal Casal Fellowship here. On the third anniversary of Neal’s passing, we’re honored to collaborate on a fellowship in his name that will provide services greatly needed by musicians and their teams who bring joy to so many, but often struggle with mental health themselves. Michele Augis of the Neal Casal Music Foundation expanded saying, “Our hope for the Neal Casal Fellowship is to provide clinical support to Backline so that they can continue serving those in need within the music industry. The Neal Casal Fellowship is a powerful next chapter in our story with the Neal Casal Music Foundation, and will help us to expand our reach and clinical resources in 2023 and beyond.” “Since our inception, we have provided mental health services to thousands of people across the country. ![]() “The loss of Neal Casal started a ripple, and a long-overdue conversation across the music industry which led a group of us to form Backline in 2019 to create a stronger safety net for musicians and music industry professionals,” said Jenn Glickman, Backline Co-Founder and Board Member. To qualify for the position, one must have completed or is completing a Master’s Degree in Counseling/Social Work Program and have knowledging and/or experience working within the music industry is preferred though not required. The position is paid and requires 10 working hours per week. The Neal Casal Fellow will take part in supporting Backline’s clinical strategy, working with their Clinical Director and key partners to formulate a long-term program in support of the real-time needs of individuals in the music industry. The announcement of the upcoming year’s fellowship comes on the third anniversary of the late artist’s passing. Today, the Neal Casal Music Foundation and Backline announced The Neal Casal Fellowship for 2022-2023, a unique and rare opportunity to work directly with Backline, a non-profit organization focused on providing customized mental health and wellness resources to the music industry and their families.
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